Auditions

Auditions will be held at Actors Theatre of Little Rock @ Quapaw Quarter UMC (1601 S Louisiana St, Little Rock, AR 72206)

Appointments on Friday, January 2 will begin at 4:00pm

Appointments on Saturday, January 3 will begin at 10:00am

Appointments on Sunday, January 4 will begin at 4:00pm

Those auditioning for Oklahoma!, In the Heights, Come From Away, Black Nativity, and/or Little Rock Sings: Rent are asked to prepare two contrasting 32-bar cuts that showcase your diverse strengths as a performer and vocal range.

Those auditioning for Fences, Angels in America, Part One: Millenium Approaches, or the Play Reading of American Son may prepare a 45-60 second dramatic monologue of their choice, or select from one of the four provided sides.

An accompanist will be provided. Karaoke tracks are acceptable if you don’t have sheet music. Actors may also feature their skills with piano, guitar, percussion, or other instruments if they would like to accompany themselves. If you sing acapella, you will be asked to sing something with the piano.

Those auditioning must be 8 years old by January 1, 2026 to be considered for casting. All roles are paid. Video auditions are accepted; email CASTING@ACTORSTHEATRELR.ORG for more information.

Synopsis: Rodgers & Hammerstein’s first collaboration remains, in many ways, their most innovative, setting the standards and rules of modern musical theatre. In a Western territory just after the turn of the 20th century, a high-spirited rivalry between local farmers and cowboys provides a colorful background for Curly, a charming cowboy, and Laurey, a feisty farm girl, to play out their love story. Their romantic journey, as bumpy as a surrey ride down a country road, contrasts with the comic exploits of brazen Ado Annie and hapless Will Parker in a musical adventure embracing hope, determination and the promise of a new land.

Please Note: This production of Oklahoma! honors the classic American frontier through a race-conscious lens, honoring the voices of those often left out of history. The story explores how community, land, and identity intersected in early 20th-century America. Certain roles will be cast with specific racial or cultural intent to support this exploration, while others remain open to all actors. We strongly encourage submissions from Indigenous artists and actors of all ages, as well as performers from historically underrepresented backgrounds.

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CHARACTER BREAKDOWN

CURLY McLAIN (Male identifying, Any ethnicity, 20–35, Baritone/Bari-Tenor: F#2–A4): 

A confident, charismatic cowboy with an easy charm and genuine heart. Deeply in love with Laurey but masks his feelings with humor and swagger. A natural leader with warmth and strong presence.

LAUREY WILLIAMS (Female identifying, Latina, Indigenous, Black/African-American, or Multiracial,  18–early 30s, Lyric Soprano: A3–A5): 

A strong-willed, independent farm girl caught between pride and desire. Intelligent, stubborn, and passionate. Must balance vulnerability and fire.

JUD FRY (Male identifying, White/Caucasian or Black/African-American, 18–early 30s, Baritone: D3–G4): 

A dark, brooding farmhand isolated from the community. Intense, lonely, and simmering with resentment. Both menacing and tragic. The role requires an actor capable of portraying Jud’s mental and emotional challenges with nuance, empathy, and care-honoring the character’s humanity rather than caricature.

ADO ANNIE CARNES (Female identifying, Multiracial or White/Caucasian,  18–early 30s, Mezzo-Soprano/High belt: G3–F5):
A flirtatious, fun-loving young woman with a big heart and zero filter. Torn between two suitors and delightfully unaware of her contradictions. Excellent comedic timing.

WILL PARKER (Male identifying, White/Caucasian, Black/African-American, or Multiracial,  18–early 30s, Tenor: C3–F4): A kindhearted, goofy cowboy devoted to Ado Annie. Optimistic and full of energy. Skilled dancer and physical comedian.

ALI HAKIM (Male identifying, Middle Eastern/North African/South Asian/Multiracial, Late 20s–40, Baritone: C3–E4): 

A slick, fast-talking traveling peddler with a flair for humor and wordplay. Charming, clever, and a bit of a scoundrel. Character role requiring great timing and improvisational ease rather than vocal power — singing ability is secondary to comedic presence and delivery.

AUNT ELLER MURPHY (Female identifying, White/Caucasian or Black/African-American, 45+, Mezzo-Soprano: G3–E5): 

Laurey’s no-nonsense aunt and the community matriarch. Wise, grounded, and sharp-tongued but deeply kind. The heart of the town.

ANDREW CARNES (Male identifying, White/Caucasian or Black/African-American, 45+, Baritone: D3–F4): 

Ado Annie’s protective, short-tempered father. Gruff, traditional, and armed with a shotgun to defend his daughter’s honor. Comic authority figure.

GERTIE CUMMINGS (Female identifying, Any ethnicity, 18–early 30s, Mezzo-Soprano: G3–E5):
A nosy, loud, and giggly young woman. Overconfident and eager to make Laurey jealous. Comic supporting role. 

IKE SKIDMORE (Any gender or ethnicity, 40s–60s, Baritone: C3–E4):
A respected ranch owner who leads community gatherings. Amiable, practical, and neighborly. 

CORD ELAM (Male identifying, any ethnicity, 30s–50s, Speaking Role):
A serious-minded, slightly bureaucratic peace officer. Dry humor and strong sense of order.

ADULT/TEEN ENSEMBLE - SLIM/JESS/FRED/JOE/MIKE/KATE/ELLEN/SAM/MIKE: (All genders, 16+, Various ranges):
Farmers, cowhands, townspeople, and auction guests. Strong singers and dancers who bring energy, community, and authenticity to the world of the musical.

DREAM BALLET DANCERS (All genders, 18–30s):
Dream Curly, Dream Laurey, Dream Jud. Skilled dancers who express the characters’ subconscious emotions through classical and modern movement.

Synopsis: Troy Maxson, a former star of the Negro baseball leagues, now works as a garbage man in 1957 Pittsburgh. Excluded from the major leagues in his prime, Troy has grown increasingly bitter, and his anger and frustration take a toll on his wife Rose and his son Cory, who now wants his own chance to play ball professionally. James Earl Jones and Mary Alice co-starred in the original Broadway production of Wilson’s sensational drama, and a 2010 Broadway revival starred Denzel Washington and Viola Davis.

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CHARACTER BREAKDOWN

TROY MAXSON (Male identifying, 35–50s, Black/African American):
A former baseball star in the Negro Leagues who now works for the sanitation department, lifting garbage into the truck. Husband to Rose, father to Lyons, Cory, and Raynell, and brother to Gabriel. A complex, commanding presence—charismatic yet deeply flawed. Some singing.

ROSE MAXSON (Female identifying, 35–50s, Black/African American):
Troy’s devoted wife and mother of Cory. A loving and faithful homemaker who values family and community. Her desire for Troy and Cory to build a fence symbolizes her wish to keep her loved ones close. Strong emotional range. Some singing.

CORY MAXSON (Male identifying, late teens-early 20s, Black/African American):
Troy and Rose’s son, a high school senior and aspiring football player. Bright, determined, and ambitious, he dreams of escaping his father’s shadow. His coming-of-age arc centers on independence and defiance.

LYONS MAXSON (Male identifying, 20s–30s, Black/African American):
Troy’s son from a previous relationship. A jazz musician who struggles to make ends meet, Lyons is charming, idealistic, and driven by his passion for music. Carries an easy confidence masking deeper insecurity.

GABRIEL MAXSON (Male identifying, 30s–40s, Black/African American):
Troy’s younger brother and a veteran of World War II. Sustained a head injury that left him with a metal plate in his head, believing he is the angel Gabriel who will open the gates of heaven. Innocent, exuberant, and childlike. Some singing.

JIM BONO (Male identifying, 35–50s, Black/African American):
Troy’s longtime friend and co-worker. Loyal, grounded, and observant, Bono serves as Troy’s moral compass and confidant. Married to Lucille, who is close friends with Rose. Speaking role. No singing required.

RAYNELL MAXSON (Female identifying, 8–12, Black/African American):
Troy’s daughter, born from his affair with Alberta. Sweet, curious, and full of youthful innocence. Her presence softens the household and symbolizes hope and renewal. Some singing.

Synopsis: In the Heights tells the universal story of a vibrant community in New York’s Washington Heights neighborhood – a place where the coffee from the corner bodega is light and sweet, the windows are always open and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. 

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CHARACTER BREAKDOWN

USNAVI DE LA VEGA (Male identifying, 20s, Latino, Bari-Tenor: C3–A4):
The protagonist and owner of the corner bodega, left to him by his late parents. Hard-working, earnest, and awkwardly endearing, he dreams of returning to his birthplace in the Dominican Republic. Deeply connected to his neighborhood and to Abuela Claudia, who raised him. In love with Vanessa but struggles to express it. Excellent rapper and strong singer. Good mover.

NINA ROSARIO (Female identifying, 18-early 20s, Latina, Mezzo-Soprano/Strong Mix/Belt: up to E5):
A first-generation college student returning home after her first year at Stanford. The daughter of Kevin and Camila Rosario, she is the pride of the community but feels the weight of their expectations. Intelligent, grounded, and searching for her own path. Excellent vocalist with strong emotional depth. Good mover.

BENNY (Male identifying, 20s, Black/African American, Bari-Tenor: C3–A4):
Usnavi’s charming best friend and an employee at Rosario’s Car Service. Ambitious, optimistic, and in love with Nina despite her father’s disapproval. Represents perseverance and hope. Excellent singer and mover.

VANESSA GARCIA (Female identifying, 20s, Latina, Mezzo-Soprano/Strong Mix/Belt: up to E5):
Stylish and ambitious salon worker who dreams of leaving Washington Heights. Despite family challenges, she remains optimistic and independent. Close friends with Nina and the object of Usnavi’s affection. Strong dancer and powerful vocalist.

CAMILA ROSARIO (Female identifying, 40s–50s, Latina, Alto: G3–B4):
Co-owner of Rosario’s Car Service with her husband, Kevin. A Puerto Rican immigrant who worked hard to build a life for her family. Loving but firm, she provides the voice of reason and stability. Strong singer with a grounded presence.

KEVIN ROSARIO (Male identifying, 40s–50s, Latino, Baritone: A2–F4):
Owner of Rosario’s Car Service and father to Nina. Proud, determined, and protective, he has sacrificed everything to give his daughter opportunities he never had. Embodies the struggle and pride of the immigrant “American Dream.” Strong singer.

ABUELA CLAUDIA (Female identifying, 60s+, Latina, Alto/Mezzo: F#3–C5):
The warm, wise matriarch of the neighborhood. Emigrated from Cuba before the Revolution and raised Usnavi after his parents’ deaths. Serves as a source of comfort, tradition, and faith for her community. “Paciencia y Fe” captures her essence of perseverance. Spanish-speaking a plus. 

SONNY (Male identifying, 13-20, Latino, Tenor: C3–B4):
Usnavi’s younger cousin who helps out at the bodega. Smart, funny, and idealistic, he has big dreams of improving his community. Loyal to Usnavi and friends with Graffiti Pete. Strong comedic timing and excellent rap skills.

GRAFFITI PETE (Open gender/ethnicity, Speaking Role):
A mischievous graffiti artist who tags Usnavi’s bodega, often accompanied by a boombox and spray cans. Friends with Sonny and later reveals a surprising artistic depth. EXCEPTIONAL dancer, especially in street and salsa styles. 

DANIELA (Female identifying, 30s–40s, Latina, Alto/Mezzo: G3–C5):
The confident, no-nonsense owner of the neighborhood salon. Originally from Puerto Rico, she mentors Vanessa and Carla with tough love and humor. Facing gentrification pressures but remains spirited and sharp. Spanish-speaking a plus. Strong belt and great mover.

CARLA (Female identifying, 20s–30s, Latina/Multiracial, Mezzo: F3–D5):
Daniela’s loyal and kind-hearted salon assistant. Naïve but sincere, she brings humor and light to every scene. Energetic and positive with excellent comedic timing. Great mover.

PIRAGUA GUY (Male identifying, 30s+, Latino, Tenor: D3–A4):
A cheerful street vendor who sells flavored shaved ice (“piraguas”). Represents community resilience and nostalgia for island life. Engages in a playful rivalry with the Mister Softee truck. Charismatic and soulful performer. Spanish-speaking a plus. Good mover.

ENSEMBLE (All gender identities/presentations/ethnicities, Various vocal ranges):
Residents of Washington Heights who form the heartbeat of the community. Energetic, expressive, and integral to the storytelling. Must be excellent singers and dancers in street and salsa styles. Will understudy a principal role. 

Synopsis: In the first part of Tony Kushner's epic, set in 1980's New York City, a gay man is abandoned by his lover when he contracts the AIDS virus, and a closeted Mormon lawyer's marriage to his pill-popping wife stalls. Other characters include the infamous McCarthy-ite lawyer Roy Cohn, Ethel Rosenberg, a former drag queen who works as a nurse, and an angel.

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CHARACTER BREAKDOWN

PRIOR WALTER (Male identifying, 30s, White/Caucasian):
Louis’s boyfriend. Occasionally works as a club designer or caterer, otherwise lives very modestly but with great style off a small trust fund. Witty, funny, fierce, and unapologetically queer. The emotional center of the play—courageous, self-deprecating, and visionary as he faces illness and revelation.
Also plays Man in the Park.

ROY COHN (Male identifying, 50s–60s, White/Caucasian):
A successful New York lawyer and unofficial power broker, based on a historical figure. Daring, brash, manipulative, and unafraid, he commands every room with venomous wit and self-assured cruelty. A man in denial of his own mortality and identity.
Also plays Prior 2.

JOE PITT (Male identifying, 30s, White/Caucasian):
Chief clerk for a judge of the Federal Court of Appeals. Devoutly Mormon, Republican, and married to a woman, he is deeply closeted and torn between faith, duty, and desire. Earnest and compassionate but paralyzed by guilt and repression.
Also plays Prior 1 and Eskimo.

HARPER PITT (Female identifying, 30s, White/Caucasian):
Joe’s wife, an agoraphobic struggling with a Valium addiction. Intelligent and imaginative, she retreats into vivid dreamscapes to escape her crumbling marriage and internalized pain. Confused, funny, and heartbreakingly hopeful.
Also plays Martin Heller.

LOUIS IRONSON (Male identifying, 30s, Jewish):
A word processor for the Federal Court of Appeals. Charismatic, intellectual, and neurotic, he is driven by ideals yet crippled by guilt and self-justification. Verbose, passionate, and often conflicted between empathy and fear. Requires sharp intellect and emotional depth.

HANNAH PITT (Female identifying, 50s–60s, White/Caucasian):
Joe’s mother, currently living in Salt Lake City and sustained by her late husband’s army pension. Conservative and devout, but capable of surprising warmth and adaptability as she confronts new truths. A woman rooted in practicality and resilience.
Also plays the Rabbi, Henry, and Ethel Rosenberg.

BELIZE (Male identifying, 30s–40s, Black/Afro-Latino):
A registered nurse and former drag queen, born Norman Arriaga—“Belize” is the drag name that stuck. Smart, gracious, and sharply funny, he balances compassion with no-nonsense honesty. A moral and emotional compass for those around him. 

Also plays Mr. Lies.

ANGEL/EMILY (Nurse)/HOMELESS WOMAN/ELLA CHAPTER (Any gender identity, 20s–40s, Any race/ethnicity):
A track requiring immense range—spanning the divine, the domestic, and the rawly human. The Angel is commanding, sensual, and otherworldly; Emily the Nurse is grounded and kind; the Homeless Woman is feral and wise; Ella is eccentric and direct. Requires physical presence, emotional depth, and versatility across tone and style.

Synopsis: Come From Away is based on the true story of the time when the isolated community of Gander, Newfoundland, played host to the world. What started as an average day in a small town turned into an international sleepover, when 38 planes, carrying thousands of people from around the globe, were diverted to Gander’s airstrip on September 11, 2001. Undaunted by culture clashes and language barriers, the people of Gander cheered the stranded travelers with music, an open bar and the recognition that we’re all part of a global family.

Please Note: Most roles will include doubling, so we are seeking actors who can maintain strong storytelling, stay grounded in the front of the narrative, and make bold, specific choices.

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CHARACTER BREAKDOWN

CLAUDE & others (Male-Presenting, 40-60s, Any Ethnicity, Vocal range top: G4)

The gregarious and well-liked Mayor of Gander, Newfoundland. Claude loves his work, the townspeople and his daily traditions, but he's never had to deal with a crisis of this magnitude before. Also plays Derm and Brenda’s Brother, Eddie.

BONNIE & others (Female-Presenting, 25-40s, Any Ethnicity, Alto - Vocal range top: B4)

A no-nonsense mother of three, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety - but in frustration, she often lashes out at those around her. Also plays Martha.

BEULAH & others (Female-Presenting, 40-60s, Any Ethnicity, Mezzo with belt up to D)

The head of the Gander Legion, with a firefighter son, who walks Hannah to her church and prays with her. Also plays Delores.

OZ & others (Male-Presenting, 25-50s, Any Ethnicity, Baritone - Vocal range top: G4)

The quirky constable in the two-person Gander police force. When the town's population suddenly doubles, Oz helps out in unexpected ways. Also plays Joey, Customs Officer, Mr. Michaels, Terry, Matty, Rabbi, and Head Cardiologist. 

JANICE & others (Female-Presenting, 20-30s, Any Ethnicity, Mezzo- Vocal range top: E5) 

An eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naïve about the world, Janice must face the pain and confusion around her. Also plays Britney and Flight Attendant.

BEVERLEY & others (Female-Presenting, 30-40s, Any Ethnicity, Alto - Vocal range top - C#5)
The first female captain for American Airlines Pilot, Beverley Bass has always loved flying, when her world suddenly changes. Also plays Annette and Reporter.

HANNAH & others (Female-Presenting, 40-60s, Black, Mix-belt & Contemporary Soprano with vocal range top - E5)

The mother of a firefighter in Manhattan, Hannah waits for news about her son and is comforted by Beulah. Also plays Margie and Mickey. 

DIANE & others (Female-Presenting, 40-60s, Any Ethnicity, Vocal range top - D5)

A traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out that he's safe, she's given a new lease on life and discovers a wilder, more carefree side of herself. Also plays Crystal and Brenda.

NICK & others (Male-Presenting, 40-60s, Any Ethnicity, Vocal range top - E4)
An English oil engineer who is focused on his work, Nick's life is turned upside down when he falls for Diane. Also plays Doug, Officer Stephenson, and Male Townsperson.

KEVIN J & others (Male-Presenting, 25-30s, Middle Eastern, Vocal range: B2-G4)
Kevin's T’s boyfriend and secretary. Sarcastic and unhappy, he is eager to leave as soon as possible. The events of September 11 make him reassess his life and his future. Also plays Ali (A Middle Eastern chef who works for an international hotel chain. He is misunderstood at times and the subject of discrimination, but despite adversity, he shows resilience and kindness.) and Dwight.

KEVIN T & others (Male-Presenting, 25-40s, Any Ethnicity, Vocal range top: G4)
The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they were stranded in Gander. Inspired by the town's generosity, Kevin creates the Pay It Forward Foundation. Also plays Garth and President Bush.

BOB & others (Male-Presenting, 20-40s, Black, Baritone - Vocal Range: B2-F#4)
A hardened New Yorker, Bob is suspicious of where he's landed, fearing that it's World War 3, that someone is going to shoot him and steal his wallet - but instead, he ends up losing his New York jadedness. Also plays Muhumuza and Captain Bristol. 

Seeking a diverse ensemble of Black/African-American actors, singers, and movers of all ages who are passionate storytellers and strong ensemble collaborators. This production celebrates the power of community, faith, and joy through gospel, spoken word, and the retelling of the Nativity story.

Performers should be able to communicate storytelling and emotion through song and testimony, even more than through traditional dialogue. Experience with gospel or choral singing is a plus but not required. Authenticity, heart, and connection to the material are essential.

Synopsis: An estranged biracial couple must confront their feelings about race and bias after their son is detained by the local police following a traffic stop incident. Their disparate histories and backgrounds inform their assumptions as they try to find out what happened to their son.

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CHARACTER BREAKDOWN

SCOTT CONNER: (Male-identifying, White, late 40s to 50s) 

Kendra’s estranged husband. An FBI agent of predominantly Irish ancestry. Takes pride in his family’s long tradition of military service. Though rigid in his views, he has a warm, sensitive side and is a deeply loving and devoted father. Has obviously contained power, but when pushed can explode.

KENDRA ELLIS-CONNER (Female-identifying, African-American, 40s to early 50s) 

A professor of psychology and the mother of a teenage son. Recently separated from her White husband. Emotionally raw but trying to keep it together behind a professional façade. Exceptionally intelligent and self-possessed.

OFFICER PAUL LARKIN (Male-identifying, White, mid-20s to 30)

An intelligent, congenial young police officer with bold career ambitions who lacks actual life experience. While always trying to do the right thing, he often says the wrong thing at the wrong time. His naivety can occasionally appear comic.

LIEUTENANT JOHN STOKES (Male-identifying, African-American, late 40s-60) 

A tough, no-nonsense, career police officer who is used to having people listen when he talks. He has paid his dues. He knows the rules and has no hesitation enforcing them.

Synopsis: Based loosely on Puccini's La Boheme, Jonathan Larson's Rent follows a year in the life of a group of impoverished young artists and musicians struggling to survive and create in New York's Lower East Side, under the shadow of HIV/AIDS. The physical and emotional complications of the disease pervade the lives of Roger, Mimi, Tom and Angel. Maureen deals with her chronic infidelity through performance art; her partner, Joanne, wonders if their relationship is worth the trouble. Benny has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with his former friends. Mark, an aspiring filmmaker, feels like an outsider to life in general. How these young bohemians negotiate their dreams, loves and conflicts provides the narrative thread to this groundbreaking musical.

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CHARACTER BREAKDOWN

ROGER DAVIS (Male identifying, 20s–30s, Any ethnicity, Tenor: F2–A4):
A struggling musician and recovering addict living with HIV. Roger carries deep grief from losing friends and his former girlfriend, channeling that pain into his music. Raw, restless, and magnetic — he’s searching for meaning and love amid loss. Think edgy indie rocker energy, vulnerable but compelling.

MARK COHEN (Male identifying, 18-20s, Any ethnicity, Bari-Tenor: A2–G4):
A filmmaker and video storyteller who views life through his camera lens. Witty, self-aware, and slightly neurotic, Mark balances privilege with purpose. An “observer” trying to find belonging, love, and creative fulfillment.

TOM COLLINS (Male identifying, Late 20s–Mid 30s, Black/African American, Bari-Tenor: F#2–A4):
A brilliant philosophy professor and activist, Collins is compassionate, grounded, and politically radical. Living with HIV, he faces life with generosity, humor, and resilience. The emotional anchor of the group, radiating warmth and acceptance.

BENJAMIN COFFIN III (“BENNY”) (Male identifying, Late 20s–30s, Black/African American, Baritone: Bb2–F#4):
Once part of the loft family, now their landlord. Ambitious, complex, and pragmatic, Benny has married into wealth but still wrestles with his ideals and friendships. Often viewed as a “sellout,” yet deeply human — caught between progress and loyalty.

JOANNE JEFFERSON (Female identifying, 20s, Black/African American, Mezzo: G3–E5):
A sharp, intelligent lawyer with passion and pride. Coming from an upper-class background, Joanne balances confidence and compassion while navigating love, chaos, and identity. A proud lesbian in love with Maureen, she’s disciplined, witty, and determined.

ANGEL DUMOTT SCHUNARD (Gender-nonconforming, 20s–30s, Afro-Latinx/Latine/POC, Tenor: C3–A4):
A radiant street performer and musician who lives vibrantly despite living with HIV. Charismatic, graceful, and endlessly generous. Angel embodies the spirit of love, joy, and community — playful, magnetic, and soulful. Think Prince meets Grace Jones meets pure light.

MIMI MARQUEZ (Female identifying, 18-20s, Afro-Latinx/Latine, Mezzo: C4–F5):
A sensual, free-spirited dancer determined to live fiercely in the face of addiction and HIV. Bold yet deeply vulnerable, she longs for love and stability but fears stillness. Dynamic, electric, and emotionally open.

MAUREEN JOHNSON (Female identifying, 20–25,  Any ethnicity, Mezzo: C4–F5):
A passionate, chaotic performance artist and activist. Maureen thrives on disruption and creative rebellion. Queer, funny, and fearless, she’s learning to balance her big personality with accountability and care for those she loves.

5 ENSEMBLE (All gender identities/presentations, all races/ethnicities, Various vocal ranges):
The vibrant pulse of New York City — artists, activists, neighbors, and dreamers. Ensemble members play multiple roles: parents, protestors, vendors, and friends. Must be strong singers and actors with movement ability and dynamic presence.